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	<title>Jessie Askinazi </title>
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	<pubDate>Fri, 26 Apr 2013 12:44:41 +0000</pubDate>
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		<title>Assemblage + Visual</title>
				
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		<pubDate>Fri, 26 Apr 2013 12:44:41 +0000</pubDate>

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		<title>Jubilee Girls</title>
				
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		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Jubilee-Girls</comments>

		<pubDate>Thu, 25 Apr 2013 16:41:31 +0000</pubDate>

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		<title>Instant</title>
				
		<link>http://jessieaskinazi.com/Instant</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Instant</comments>

		<pubDate>Tue, 18 Dec 2012 13:11:36 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
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		<title>400 Pieces of Evidence</title>
				
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		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/400-Pieces-of-Evidence</comments>

		<pubDate>Fri, 08 Jun 2012 15:13:47 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
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border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0845 copy-2_1000.jpg" width="1000" height="667" width_o="1000" height_o="667" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0845 copy-2_o.jpg" data-mid="18382477"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0846 copy-2_1000.jpg" width="1000" height="667" width_o="1000" height_o="667" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0846 copy-2_o.jpg" data-mid="18382482"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0866 copy-2_1000.jpg" width="1000" height="667" width_o="1000" height_o="667" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0866 copy-2_o.jpg" data-mid="18382484"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0865 copy_1000.jpg" width="1000" height="667" width_o="1000" height_o="667" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0865 copy_o.jpg" data-mid="18381864"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/sig_1000.jpg" width="1000" height="710" width_o="1000" height_o="710" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/sig_o.jpg" data-mid="18381869"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0841_1000.jpg" width="1000" height="667" width_o="1000" height_o="667" src_o="http://payload62.cargocollective.com/1/6/220058/3554931/IMG_0841_o.jpg" data-mid="18381826"  border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Paz de la Huerta: A Love Story</title>
				
		<link>http://jessieaskinazi.com/Paz-de-la-Huerta-A-Love-Story</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Paz-de-la-Huerta-A-Love-Story</comments>

		<pubDate>Wed, 06 Jun 2012 12:14:30 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3540475</guid>

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data-mid="18302647"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/33_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/33_o.jpg" data-mid="18302649"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/34_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/34_o.jpg" data-mid="18302651"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/35_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/35_o.jpg" data-mid="18302652"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/37_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/37_o.jpg" data-mid="18302656"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/39_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/39_o.jpg" data-mid="18302661"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/6/220058/3540475/40_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" src_o="http://payload62.cargocollective.com/1/6/220058/3540475/40_o.jpg" data-mid="18302663"  border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="/_gfx/thumb_default.gif" />

	</item>
		
		
	<item>
		<title>Bonfire of the Vanities </title>
				
		<link>http://jessieaskinazi.com/Bonfire-of-the-Vanities</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Bonfire-of-the-Vanities</comments>

		<pubDate>Wed, 06 Jun 2012 11:02:44 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3540398</guid>

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		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="/_gfx/thumb_default.gif" />

	</item>
		
		
	<item>
		<title>Poetry</title>
				
		<link>http://jessieaskinazi.com/Poetry</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Poetry</comments>

		<pubDate>Sat, 31 Mar 2012 22:03:04 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3090285</guid>

		<description>EVERY EVERY MINUTE

INVINCIBLE broadcast,
Right?
The moon is just a phase.
Oh my god, we never knew-
The water was holy
Grace the pillow now
The talking spirits are bigger
Your pigment is fading
but merriment isn’t numbered
(so neither are we)


DOORS OF THE CARTOON HALLWAY

Black teas’ crawling
Add a peg.
I’ve been here before
And am not alone
There are warriors 
in heavy nickel
surrounded by unhinged doors
and Napoleonic weaponry
Branded is the licking man
For he was the paradigm
of Senate.
 
REPTILE CHANNEL

Spurn the successor
It will have a new name
And won’t hear tuba lamenting
All the abandoned carry torches
They: Buttered in chinchilla 
50 hairs per follicle
What is family but genetics?
Rallying against fair game
At least we can recall honey tastes.
While gold may take value
Sand is our earth
And can’t be traded for protection

 
BODY-HAIR CANDY-GHOST

I measure the ink
next to my one-eyed cat
as the Latter-day Saint 
changes colors

And opium dens wreak of 
hazy bone-shakers
ballroom dancing 
during spring's equinox

All our glands swelled 
and we pressed juices; tidy
There’s prickle-pear on the cutting board
and seven grapes on a vine

Their Danish consultant 
grabbed the stapler 
taking long pauses
and spoke of parody
You could be sure
the grocer would laugh at parody
Let's relate


SCARF IT DOWN

My generation is painted in a thick custard
With elastic sport-bandages; shielding all we can feel
Crying when the jar of peanut butter is out 

The Chelsea hotel is now surrounded by costly burrito chains, high-rise condominiums and marketing managers walking poodles
I have been knocking on what seems to be a gilded door- and the handle's too high to reach 
A limp echo boomerangs back at me. I begrudge my one-man protest
Up in flames as I beg local newspaper superstars TO LOOK

But those Benny Frank signals are sharp-jawed
Latching onto insomnia 
and shape-shifting as I try to cup one in my hands 
It beams by me like an electric eel
They act as a sperm to the digital-age's fertile egg
The wayfarer is sunburnt and stands with no commune
Big black birds on a big black wire
But they don't feel the electricity in it
Broken hands try to shake on a bet
and sexless marriages replace sensuality with strawberry preserves

The hard way doesn't exist nowadays:
attention to detail and an archaic build
worthy of nickels and dimes and rotten thoughts sold
manicured into queen anne victorians 
with their doors etched in snowflake glass and pale green vines
Bad guys and angels are pixelated and paint is spilling down the gutters
The middle man is cast out by a taffy dictatorship, 
sour and offering boxed rainbows- 
buy one get one free!

I miss rugged hips and toothless sailors.
I miss strung out drag queens scarfing down leftover burgers as a diner closes.
I miss trapezoids when all I see are totally even squares.
I miss old floors with dirt tucked neatly in the corners.
And just, things turned off…
With songs of bird families swirling in the distance 
And leaves making love while we watch them do it

WASTE MANAGEMENT

Lack of algorithm
self-schism
Sacrilegious weight training
Dried potatoes 
at the Topeka dump
Bedlam intestines 
with stucco paint spilling
Pandemonium fibers; 
enervated  
Hoover dilemma
The synchronizing is sloppy 
and takes flight
One single gold strand 
All the tea's gone out

MORE

He stood with
Arms of straw 
and hay
They sprouted out from
a hollow
scarecrow
torso

Doesn't know how to dress himself yet
A mid-life gut 
poked through sewing-kit buttons
It was all sophomore hair
juxtaposing basso-profondo height

He was
A decoy 
from the crops
And I
A sort of crow-thug
Bipedal
Terrestrial locomotive
With rabies antibodies
No teeth 
Just swallows whole

I stood under
a lycra mini-dress
And Lolita hearts
I was young 
and I was new
He was frivolous 
and he was worn
Bored with having it all
Bored with everybody’s fainting
I asked, 
"Have you participated in this before?"
He said, 
"No" 
(and went on to explain himself more thoroughly than necessary)
Coming back to "no"
Puberty shyness
never thaws
Even with all those cash wads

Fiendish teens stirred
Awaiting the golden calf
He emerged; seizing teething babies
Like some modern youth pastor
that downloads hip-hop remixes
Stuffed with valuable rhyme 
and peace offerings

Privacy crept out slowly
Subscript in galoshes
Down with 
political disorder
Raising sweet sixteen's middle finger

I already knew 
how he'd sound
It was just right
Just as I'd imagined 
Fame means familiar 
And then, poof!
Involuntary concubines;
Charmed by a little tossed stardust
Might as well have
shaken his
Legs
Pelvis
Knees 
like Elvis 
Waving the rattler,
He read, 
"Why should I write poetry, when I can just write to you?"
His inflection
A flat tire
But you could tell 
he was fucking
a one night stand 
with house wine 
in the blood stream

He spoke of
A woman's mousetrap
With her back 
to the audience
Electric Shaman/altered states

I tried to listen 
to vocabulary
But could only make out
Goya’s 14 paintings
I bit my lower lip
And got Revlon lipstick 
all over my biggest teeth.


WILD ROLLING DOG

Diptych boy’s always game
His veins are albino lizards; 
corner voyeurs
quick to survive
Reverse birthing 
before the wheel 

A beggar crouches down 
at the rear 
of his eyes
{She’s folded over 
like an anonymous letter; 
drooping dog-skins hang 
as she 
shines a canteen 
through his
steel   mill   stare}

Hollowed-out potholes 
grey over
Post-traumatic; 
kept at bay
And pious 
to Oceanography
More of him 
leans everywhere
Cut like grass
Your pipe exhaust reminder
A clunking motherboard; 
sloppy technology 

Carrier of myths; 
from early Christians 
to wanderers 
of the Samanas
Grey, but grave myths
In no way proud 
but expertise still
Our gutteral lasso 
of the 21st century

Denouncing
man-made salaries
Groping at mosaic tiles 
with dishwater hands
Where the mortar paste 
fills in the gaps 

Weathered baby doesn't adhere to
mens’ legalities 
Stabs colloquial livestock
Two poltergeist corneas 
snap like 
released popguns

Street urchin 
on the run
Moving through 
erratic puberty joints
Nicotine incisors 
peer out 
from a pulled-back lip
His pork-belly tongue salivating
A starved bulldog
with upturned nostrils 

Never repeats 
Never modulates 
the atmosphere’s scattering
Never knows
(But I know) 
he appreciates 
wide hips on a woman
A toothpick and 
wristwatch 
kinda guy
Stubble playboy voice
Grabs the mouse 
by its tail
Primatial; 
and wriggles 
outcries of swine

In his satellite mind
old blood rises 
for a slaying
Can't wash out those 
vulgar eyes 
Because battle-scar endurance 
divides fatty acids
Samurai product
of a disrupted dynasty
in thick socks
And through all interference 
he will always be haunted
Early agony 
is translucent ice 
But never fixed

BACTERIAL CULTURE

The temple's pendulum
is roused 
by the echo 
of redhead girls' 
ring around-the-rosie games
Now the mechanics 
have received their queue 
to churn
wind 
and clank
Healthy nail beds 
tickle the indentation 
of my neck
Battlefield of 
unglazed, ceramic tile 
MISFITS
Glowing feline eyes; 
75 of them
My thighs;
soccer youth 
vanishing 
on the forefront 
A powder blue underskirt 
made of Chantilly lace 
Holds my legs together 
and keeps me 
a pure woman
Only this 
buckled stretcher 
the gravely pendulum 
that rumbas 
and a 
nondescript accent table 
mortalize the quarter
The prepubescent legs 
of the wooden console 
are boosted 
by 
glass brown bottles
of vinegar 
Lined up 
in a row 
by height order 
on a slab 
of rickety wood
I stare 
at the fermented liquids 
All salty and faithless 
I know their contents 
are gonna sting 
my paper-cuts
And hunted red 
cardinal squawks 
Will only be audible 
in a quantum-entanglement
Peppered by 
the already seen
One hemisphere 
is late 
not prophetic 
It's when 
I shut my eyes 
around Monarchy kingdoms 
During political debates 
and gaslight flashes
Call girls 
or cover girls 
or senseless Bogarts
Will I taste 
the acid 
on the tip of my tongue
Though it hasn't 
been served
Fastened 
and slightly fascinated 
by my own retributions
Whereas my moral disabilities
confused ying and yang 
Petulant child
My profile 
is flirtatious 
but there isn't 
a moon tonight
It's a 
Pandora interpretation


THE PURPLE ROOM

When they came 
there was a silent hour
Chewing on the sides of mouths 
calcified
Reconstruction of beauty parlor bouffants
Pining out 
the low-level windows

The walls were eggplant
There were three coats 
Beige-lace trim 
toward the popcorn ceiling

The purple 
made their heads go forward
Their biceps 
became trace fossils 
with micro-treasures 
stowed away

I looked at all their soft hair
and imagined we were 
at an aristocratic tea party 
in Paris
With velvet settees 
and bourgeois language
Where rabbits don't congeal 
on narrow streets
And the only grunts audible 
are hisses of kettles cooking

But the children; 
they knew
(But then children are better at make-believe)
We sat
Knees up
softly rocking
A meditative hum
Sipping on our imaginary tea 

The light was cream
From afar
A floral music box scored the scene
A plastic ballerina 
touched each edge of the compass 
While forgotten rings of my youth
were pressed between cushion lining
We turned on a carouseling lamp 
that projected shadows of 
bears
giraffes
wolves
and ducks 

As the dancer's toe slipper twirled
Our mugs 
felt like freezer pops
And our stomachs 
couldn't keep up 
with the rhythm:
We tried to iron out 
our lap throws
Pointed at the press-on stars 
above the lace trim
Read Louisa May Alcott stories aloud
highlighting our favorite lines
And we watched 
a child star smile and smile 
With short cherry curls 
and shorter teeth

But the cool burgundy 
and blood-blues 
started to lift off
And move through 
the modest space
Where gravity is fathered

The animal shadows 
revolved faster and faster
They held tin drums 
from circuses past
Our ballet bigwig was almost out of breath 
But the springs kept cranking
We waited for the violence to lactate
El Diablo's dance of the ancients curtailed
And the animal parade 
put down their percussion engines
Drained from irrational defenses

The light was still cream
But was kinder now
Almost by rote
The new life collected their thermoses and raincoats
Kissed the neighbors tabby 
on the forehead 
And out the door 
off they went
Into gray
white
yellow
green
But no more purple

ABSTRACT STEREO

Do not be fooled 
by melodramatic subtitles
Only listen 
to the throb of chamber sonatas
Symphonic 
within marble pillars 
of a small parlor
There you will find 
the scathed sheets 
of this big potato organ
Inside 
I feel a pinched strangulation 
composed by a colony 
of fire ants 
waving flags
And the oscillations 
of cymbals 
tickle the backs 
of my calves
The vapor-mist 
expels charcoal
It smells 
of rain-soaked wildflowers 
that are drowning 
in an attic
The triangle ceiling 
carefully embellished
in blue, oval jewels
This goes beyond staged falsifications 
or turquoise couture
There is a festering chapel 
wedged in the rayless 
One lit match 
halos 
from across piano benches
I'll have to knock over end-tables 
that anchor green-glass lamps 
And boxes of plush animals 
stuffed with bells and cotton
The squishing of my heels 
will coerce my affirmations
I'll kick a jazz shuffle 
as I navigate these pipes 
that groan and howl 
the dead's unfinished business
No set of bones 
can face this trudge admirably
Two imprints
One
deep from the weight of sacks 
which once hoarded lumps 
of sand and gravel
The second 
a brick magnet 
lying to swords 
and denying mulberries 
The vaseline white-washes stone 
and veils muscle 
behind the door
Or expanding rose stains; 
leaking like ink
Into doubt 
and roots of grass blades 
in the mud
the liquid-solid mud

ROCKING HORSE BLUE

Fresh dimples
Untouched by redwoods
Only lemon drops
Prosper with AM broadcasts
Magic marker Picasso
Twirling beneath rubies 
Kids climbing metal gates
These new cells
Matinee waiters
Tucked in a meadow
Peel the sheets
Holiday figurines
Trombone vibrato
Brace us from rust
Love without reason
The velveteen kisses
Mint eggshells in a frame
Fever warms our knees
Laughter headaches
No shadows overseas
Crystalline heartbeat
Renegade lost and found
Moses on the schoolyard
More food on the plate
Always appetite

RUSSIAN GUILT

Disillusioned squirrel meat 
Tossed on the gravel
Left without radio dedications
Telephone message muffled
The physics of waves giving density
I'm able to smell his gin rasp through the chords
A magenta corset from behind
Laced proudly in front of peeled curtains 
And a white filmy light casts its heat on the navel
My cosmic sensationalism 
Outlines funny cartilage shapes
I used to overexpose my prints on purpose 
My professor would scold me
I could dip my hands in molding bath water to smell like you 
There's never an abundance of day

THE ANCHORMAN'S SCRIPTED JOKES

The arrows orbit 
around the grandfather clock
Cooing in bird speech
Absent from their violent neck twists 
and dilated eight-ball eyes
My feet are stillborn 
While the milky-blue dawn 
coats glue on my guts
A hodge-podge of aunts' soups 
coil my nerve endings 
I am floating 
with clumps of the perilous season's leaves
There, the water loops octaves 
And snow owls stare amber at me
I know where I'm not wanted
As they mimic my earthly altruism 
I think of the Alice in Wonderland flowers
I continue Southwest 
watching the sun lower into the sky's mouth;
like a bottom set of dentures
As the old men pick apples 
further toward the pastures 
I hear the ripping and wailing 
of the trees' cough
Once we settle 
we become the sky
Recycling 
and certain in permissions

PIGEON HELD

There is a scalding murmur 
I've carried since I was a child
It is a lapse of time 
an erupting synapse 
wearing a paralyzed chimp-grin
I've carried this murmur 
underneath hand-stitched overcoats of evergreen
But the emergence is inevitable 
It creeps up; 
in front of snakes; in front of boars
A victim's tidal-wave 
clearing out old newspaper
A barrel of brain-batter
There are no analogies 
for its depth of terrible
Lightning falls flat
Violence soars 
to the tops of winter-torn trees
I'll roll from side to side 
and feel the white cells go red
A quick switch 
from delivery to sand-storm
My legs quake
It's a corrupt spotlight to hang around in 
I'll tell you
I lead the jury 
The burning melts 
all recess ice cream
From where we are carried
I stay- I stay- I stay
Off-kilter
Isolated in physical hysteria
One hellish hello
I've said goodbye 
but the bitch won't listen!!

THE BEEKEEPER

I have fed on my longing for the beekeeper 
since I first harnessed birth light
The longing wedged its way 
underneath my finger nails 
Inflaming the connective tissue 
that knots my bones in marriage
The beekeeper’s sunken-sockets 
transmit through my memory 
as if I were a television field experiment 
The beeping and the colored bars
This has occurred since the first blow
When chance was hammered into each corner
When geodes melted like lava between my fingers 
as I tried to hold them steady
When fostered infants spat dependency
The beekeeper first emerged as death’s cloak 
Or perhaps as an astronaut in fleeting gravity; spilling left and right
Illuminated by tall blades of wheat 
He hides under a synagogue of thick-weaved material that cloisters his elfin bones
He is incubated by white thread 
so as to remain neutral 
from ill-tempered bees
Leather gloves run along his arms 
and nobody sees the hairs standing up straight
He’s aged over the years
but only the color of his beard has changed
Has he ever felt the sun?
A sweeping veil masks his face and neck
But inside, all ablaze
Inside, all ablaze
The beekeeper’s mouth cannot be exposed 
as hostile bees are attracted 
to a single breath
I’ve waited countless, impatient nights for that breath 
to revive me
Imploring him to medicate my fatigue 
with nature's fresh nectar 
Writhing over my tongue
coating the roof of my unrequited mouth
Secrecy is born into the stain 
of his Earl Grey eyes
I would surrender outer-space, hardcore ballets and stained glass windows 
to all the bishops
All the fabric in the world 
won’t keep him immune 
from me

MARISSA AND THE LEATHER SHOES

Salted shoulders frown upon occult rituals
Antlers are in empty frames outside in the alley 
The clock on the microwave glows a double-digit hour
Doe expressions reflect against oatmeal spoons
Foretelling indigo threats and pithy salutations
Mezzo-soprano scales invite susceptible pupils behind boulders
A pilgrimage through dehydrated school yards braises the now unclothed 
The light switch is down and 2 shrieking cats swivel closer
Many mothers stewed with shifty eyes
Incandescent suckling fills stadium seating
Waxes and woes 
Powders and serpentine 

COTTON FIELD OVERALLS 

Here on this dimension, blinded by sparks, men kidnap all the free oxygen which innocents are entitled to; the oxygen that infuses all livelihood. 
Right now, side by side, there are dual operas performing; matching in volume and in impact. On one end, we watch seemingly angelic creatures outstretch their arms; welcoming the morning dew with a dimpled chin. They remind me of religious statues that calm gargoyles waddling beneath our slabs of skins. They are grandmothers with loose arms. You feel safe here.
To the right, the audience shivers in unison as we’re forced to survey ghoulish decay writhing in tableaus. They’ve emerged from some grounds, somewhere, from far beneath chipped headstones. They’re mingling and snickering, forming a circle, hungry fangs dripping. As they move toward center-stage there is a prepossessed conviction to their steps.
On the surface, the two appear flagrantly opposite in nature. However, after enough time seated in the maroon theater-chair; after my drummer-boy naivety fades along with my vigor, I can see. I can see. The tender lamb smiles begin to contort; the way flickering candles left overnight will. Colored wax drips, trickles, morphs into lumpy shapes of Poseiden. These candles are usually perched upon a companionless window sill. The adjacent circle is now hissing louder. These post-angels wear shirts marked with shreds that begin expanding as their arms raise up and at my throat; arms which I thought would be sliding through space to hug me. Their thigh muscles are bestial, stones dragging up a hill.
I am surrounded by a shield of ceremonial candles in glass jars. My skull whips like kite discos, as the mad halos are reaching climax: We are interlaced. The cotton holes of the self-proclaimed saints continue tearing, shredding; the fangs of the others still dripping, their mugs, still whirring. I beg the sheen of candlelight to bathe me in its nurturing, wet cheeks and all, but my Lucifer showgirls are inflammable. Ballooning calf muscles webbed with veins are trampling closer and closer toward the barrier of my protection. 
I am now enclosed within two circles: the fisherman's wolves and the clownish frauds, which are now harmonizing in African ritual-rhythms. The fading candlelight casts a brick shadow against my forearm and I squint my eyes, holding on to an idea. One tribe I’ve loved, the other, I’ve attracted metaphysically: It’s color, gunpowder, it’s sound, chewing glass. I fold into quarters and pray to white-star sisters to offer me a chunk of moonbeam (in hopes of saving my rainforest from hunters; from burning up and into ash instead of a moderated sunbathe). 
Crueler than the manner in which humans treat house-mice, with lack of rationality and understanding, nobody warned me. I went up in flames with the afternoon and Abigail Williams.

JOE'S MUNDANE EPIPHANY

It is perplexing and trivial, trying to bring my adoration for you to life. You can never expose a feeling, can you? To really extrovert it? Live in lights and Broadway blood. It's stuck under lab substances that wash around our bellies. My smile will never explain my fixation on your vocal inflections; or your sea-green amulets. All of these things stack up and tower like pancake breakfasts, and I have nowhere to put them because you are insincere, my dear. Do you remember the time we drove along FDR drive, the black East River following our twin shadows? We breathed in cleansed air that, for Manhattan, seemed surprisingly virginal; passive. The black water sprawled alongside my window, coaxing a feverish subterranean. You took my hand. You held my hand. The black water sang church hymns. Buildings dared to touch satellites. I opened my mouth to articulate what this was, but the truth was: I don't know. I don't know how to describe those rare moments that caffeinate multitudes of dried-up and forgotten senses. 

A TINKER'S DAMN

Are hot rollers, Styrofoam cups, candlesticks and canned soups my siblings?
I trudge along 8th street in a pair of mens' olive-green combat boots
Immediately, I'm summoned by a coral snake wearing a pair of yellow-fever eyes, glistening to the song of scorpions
Difficult to lean against
Cold in temperature, scaly
Heart's encased in a sac
Spits gravel from backwards-curled fangs at the rear of his mouth
Blows me kisses evocative of Miss America's satin and stardust candy-wave
He lunges forward
A dart in the Congo
Uninterrupted tongue
Senses my day-old scent
Infrared preceptor 
Illustrates the balmy blood I circulate
His right fist mimics his left 
Tight grasps of charcoal
Of fermented grapes, oozing their blood stains 
The thunderous chant of passing double-decker buses 
and knives scraping the tops of steel grills
Are drowned out by the psycho-sexual rage of masturbatory fists
Imprisoned by the hum of the overhead fluorescent light, The glimmer of a woman's white chest seizes his lunch
Rattles in there with a restless bomb squad
And it's noise, noise, noise
Covering my nose with overgrown bangs
Resounding his junk DNA
Chin down, I'm flung through the asphyxiation stare
Impossibly drugged, grating a breath 
And soon the paternal shape-shifter is inaudible
Only the heels of these clanking boots echo on the avenue
I remained

PACE TREES

Is the apprehension a finale of simmered faces? The cider will cool off, and I turn inside and outside but I can’t find my footing. I never claimed to fill your aftershock cement, but my generosity of a speckled heart is something. We’ll never learn the proper way to bandage one another. I won’t thrive on that knowledge, or any for that matter: But if you can trust that I’m coddled here against pink sunsets and my eyelids are calm, I think we might wake the senses. Too many insincere radio programs. I’m gonna walk with you, okay? I’m your terrycloth robe that cradles you in serenity. But, I can’t shine the edges of coyote nightmares until you can see that mere skepticism grows dull; and stops life sooner than death. 


MISSING ANGLES

“You must find me”, I repeated in the letter, feverishly penning so as to set the glass bottle to sail. “Our chance is fleeting; these manifested daydreams are losing their allure. The number of angles on my face is too large to count by hand, and only a pinch of them were exposed to you. They were the wrong ones! There are more; there are plenty more, and I want to reveal them to you. Why do I with-hold the beautiful?
Only the crude shadows hovering above my eyelids have confronted you, and the ripples which dig themselves like millponds around the corners of my smile. You missed my mouth stretching across and out when I look at you; Victoria Peak horizons. The color of rosebuds would stain your pale shrug indefinitely. You are unaware of the missing angles; of my coarse lashes which promise to catch your tears; and when you find me, I will hand them to you so that you may build a rocking porch-swing with sharp lines, and we’ll rock, rock, rock until Winter falls. Please hurry, the lights are dimming.” 

CALCULUS IN DENVER

There is a loneliness that presents a threat to all the kerosine lamps 
And all the candles, and all the matches and all the sparklers
And all the fire-lit flies
It curries the flies in brassy syrup
It is beyond the medium of reason or mantras
Or time or morality
I try to make contact with it 
But Atlanta's summer won't reveal God's blueprints
I stand in a chiffon skirt with lace trim that sweeps the edge of the tide
I can beat flamingos past the surface of water
Becoming clay that clings to conch shells
I'll conserve my body heat
I was always coquettish 
In a room of cotton-candy heads
I must keep after the orchids
Or who will look after them?
Strangers forget my face
My fault for playing hide and seek

MABLE

She said, “It’s best to be without a husband if you’re gonna write, but you’re gonna keep tellin' that same story of chewed-up cuticles and beddy-bye rhymes; reflected frowns in eyeglasses: You can see right through. It’s all the same thing.”
All anybody wants is to be left alone. Fruit flies can feed on the trash as long as we’ve got our mattress and a closed bedroom door. All anyone ever wanted was for me to leave them alone.
“Baby, you’re not gonna suffer from a swollen-shut throat. You will swallow. You forget happiness when tryin’ to make it through the day. Its only a heaving lung at a time. I understand.”
Only when I juggle the slow am I really there. And then all the airports come back to me: I’m flying everywhere at once. Why couldn’t Frankenstein have been a girl? People don’t wanna love; only fascinate and fornicate. I don’t want to be touched. Only will I be touched when the sailor becomes captain; braving the ice storm. I’ll take on a new shade, a friskier tiding. There’s some resistance, but mostly I’ve gotten used to blubbering whales. They’re all crying to me: “Leave me alone. Me alone. Alone.”

LADY SOLSTICE

Cradled in berries on a sticky June day
Watch egg-shelled babies laugh by the bay
Stooped under honey-dew, we're smokey and new
The shadows collected, hung on the moon
Sandwiched between mockingbirds and cardboard lagoons
Minutes bathed idle in Egyptian canoes
I've kidnapped my lilies and sanded my home
I crowned myself regal even down to the bone
But still, in my tablecloth, one candle's alone
What once was a diamond, now an ailing 
rhinestone
The dragonfly's hissing, their silver wings sizzle
And white pony hairs shed all through the stable
I rescued my youth from the black pirate's rumble
We remained hand-in-hand til' spring brought us maples
Glass cauldrons desire a wicked dessert
This blasphemous wizard-wand, our universal alert
Out came the acne-faced probation-perverts
Nomadic ghouls from unheard-of outskirts
Likewise, we cultivate a flashlight to see
A specified eye-chart was crafted clearly
Beyond Sunday brunch, I could faintly agree
Recognize the weight of a pause from the heat
Lady solstice swirl me upside down, the shade gobbled my hands
Lady solstice twirl me around, i can't navigate through woodlands
Lady solstice, fanatic split-ends
Lady solstice, you've roughened my gems

SECCHI

Unsteady in the torso
Anticipation outlined
Breaths increasing swiftly
A repeating chorus unwinds
I used to celebrate these days of birth
But I’ve been cast a role in Sophocles
Cast aside, or cast a spell
Typecast with missing seas
I’ve got pink gloss on my lips
Loose powder on my freckles 
This sticky-stuff layering my face
Remembrance of hope as honey-suckles
The foolish girl cried wolf
I wanna yell your birthday tune aloud
I looked so pretty holding your big, red bow
Under starlight in a button-down gown
My tongue wagging
Waiting for you to carry me to bed
Join me
Help me find the baby boom I was
Ex-pigtailed princess of Arkansas
Oh, what one closed eye does
But it’s just mom’s sedan and me
So I cast myself ashore
This time near an ocean where the tide creeps up for free

NARCISSUS, THE BUTCHER

Pride balloon belly
Golden marching Band
Burning in, burning out
Sit on your cloaks
Pour velvet wine
All I asked: 
Float with me to Saturn
Concave werewolf
Phantom membrane
Tick-tock of the grandfather
And we’re inverted sand shells
Wonder when the tide fell down
Miraculous needle-thread
Sleepies ingrained with clovers
My recalled December moon
Come, knight of a saintly dance
Lined with new babies on bristles
A damp finger on your lips
Words lack shape 
Wonder where the tide fell down
Kinda fickle land-shark
Always tearing at navy ripples
It was an elegant manipulation
Savvy card trick from a magician hat
I’m not a terrible molecule
Masking you in plaster hugs
Stand me up to fall
Wonder how the tide fell down

COAL SCUTTLE

Grays, tar, fists, hyper-lethargy. Lean, opaque arms dilating with up-curled fingers, triangular at the top. No threat; one lung. Forensics better seal that door shut! Love in close corners but I’m in a green house behind silk plants and a taxidermist's mammal collection. I don’t know why that is (nor does an explanation matter or prove importance). It is what it is. It is still present and this feud is the toast of the town. I’m letting the thorns replace the carnations this time. 

LESTAT

Windmill rising
Surrender to the spin
Trace my shadow
Just once my echo
I’ve grown senseless
I 
Fell into the red
Hold me up, sir 
I
Drown in your unsaid
And it’s too soon
In our cartoon
All logic gone
Slither, Python
I’m ripe bellied
Boire mon vin
I’ve grown senseless
I 
Fell into the red
Hold me up, sir 
I
Drown in your unsaid
I’ve grown senseless
I 
Fell into the red
Hold me up, sir 
I
Drown in your unsaid</description>
		
		<excerpt>EVERY EVERY MINUTE  INVINCIBLE broadcast, Right? The moon is just a phase. Oh my god, we never knew- The water was holy Grace the pillow now The talking spirits are...</excerpt>

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		<media:thumbnail url="/_gfx/thumb_default.gif" />

	</item>
		
		
	<item>
		<title>Acting</title>
				
		<link>http://jessieaskinazi.com/Acting</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Acting</comments>

		<pubDate>Tue, 27 Mar 2012 14:30:43 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3090297</guid>

		<description>&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/New-Atlantic-logo-as-of-8-14-06.jpg" width="434" height="436" width_o="434" height_o="436" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/New-Atlantic-logo-as-of-8-14-06_o.jpg" data-mid="15802855"  border="0" align="left"/&#62;

Jessie graduated from the Atlantic Acting School in 2006. 

The Atlantic Theater Company is the award-winning Off-Broadway theater that was founded by David Mamet and William H. Macy.

She studied Performing Arts at the Atlantic Acting School's private conservatory; which focuses on the Practical Aesthetics acting technique.

She continues her craft and education at Caymichael Patten Studio in New York City.

&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/soldiers wife poster.png" width="434" height="571" width_o="434" height_o="571" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/soldiers wife poster_o.png" data-mid="15802640"  border="0" align="left"/&#62;&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/film festivals.png" width="500" height="174" width_o="500" height_o="174" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/film festivals_o.png" data-mid="15802633"  border="0" align="left"/&#62;&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/soldiers wife stills.png" width="500" height="141" width_o="500" height_o="141" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/soldiers wife stills_o.png" data-mid="15802653"  border="0" align="left"/&#62;

The Soldier's Wife directed by JB Herndon (on IMDB)

&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/burnt alive.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/burnt alive_o.jpg" data-mid="15802660"  border="0" align="left"/&#62;


Burnt Alive, short film directed by William Hoffman and Derek Paul Boyle

&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/front.jpg" width="500" height="500" width_o="500" height_o="500" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/front_o.jpg" data-mid="15802665"  border="0" align="left"/&#62;&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/no exit.jpg" width="500" height="305" width_o="500" height_o="305" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/no exit_o.jpg" data-mid="15802671"  border="0" align="left"/&#62;&#60;img src="http://payload39.cargocollective.com/1/6/220058/3090297/no exit1.jpg" width="500" height="319" width_o="500" height_o="319" src_o="http://payload39.cargocollective.com/1/6/220058/3090297/no exit1_o.jpg" data-mid="15802686"  border="0" align="left"/&#62;

Jessie produced and starred as Estelle in a production of Jean-Paul Sartre’s No Exit at the Looking Glass Theater in New York City. </description>
		
		<excerpt>  Jessie graduated from the Atlantic Acting School in 2006.   The Atlantic Theater Company is the award-winning Off-Broadway theater that was founded by David Mamet...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="/_gfx/thumb_default.gif" />

	</item>
		
		
	<item>
		<title>People</title>
				
		<link>http://jessieaskinazi.com/People</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/People</comments>

		<pubDate>Fri, 23 Mar 2012 21:20:31 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3068152</guid>

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width_o="900" height_o="674" src_o="http://payload38.cargocollective.com/1/6/220058/3068152/LOM6289-R01-022_o.Jpg" data-mid="15863262"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068152/LOM6289-R01-024_1000.Jpg" width="900" height="689" width_o="900" height_o="689" src_o="http://payload38.cargocollective.com/1/6/220058/3068152/LOM6289-R01-024_o.Jpg" data-mid="15863263"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068152/55_1000.jpg" width="700" height="469" width_o="700" height_o="469" src_o="http://payload38.cargocollective.com/1/6/220058/3068152/55_o.jpg" data-mid="15863664"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068152/057_1000.jpg" width="1000" height="444" width_o="1500" height_o="667" src_o="http://payload38.cargocollective.com/1/6/220058/3068152/057_o.jpg" data-mid="15726423"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068152/040_1000.jpg" width="1000" height="444" width_o="1500" height_o="667" src_o="http://payload38.cargocollective.com/1/6/220058/3068152/040_o.jpg" data-mid="15726668"  border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="/_gfx/thumb_default.gif" />

	</item>
		
		
	<item>
		<title>Objects and Interiors</title>
				
		<link>http://jessieaskinazi.com/Objects-and-Interiors</link>

		<comments>http://jessieaskinazi.com/following/jessieaskinazi.com/Objects-and-Interiors</comments>

		<pubDate>Fri, 23 Mar 2012 21:20:29 +0000</pubDate>

		<dc:creator>Jessie Askinazi </dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3068167</guid>

		<description>&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068167/-35_2_1000.jpg" width="1000" height="725" width_o="1000" height_o="725" src_o="http://payload38.cargocollective.com/1/6/220058/3068167/-35_2_o.jpg" data-mid="15859340"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068167/6692003125_d674c24dd2_b_1000.jpg" width="1000" height="650" width_o="1000" height_o="650" src_o="http://payload38.cargocollective.com/1/6/220058/3068167/6692003125_d674c24dd2_b_o.jpg" data-mid="18384966"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068167/DSCN1100_1000.JPG" width="1000" height="750" width_o="1000" height_o="750" src_o="http://payload38.cargocollective.com/1/6/220058/3068167/DSCN1100_o.JPG" data-mid="15939971"  border="0" align="left"/&#62;&#60;img src="http://payload38.cargocollective.com/1/6/220058/3068167/098_1000.jpg" width="1000" height="653" width_o="1000" height_o="653" 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		<excerpt></excerpt>

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